28. School of Fish In Madhubani Paper Mache Plate by Priti Karn

US$ 1,499.00

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This exquisite Madhubani Paper Mache plate by Master Artist Priti Karn elegantly portrays six intricately painted fish, symbolizing fertility, arranged in a symmetrical, circular pattern, symbolizing harmony and balance. The fish, in vibrant shades of red, pink, and yellow, are delicately detailed with Kachni, or fine black strokes forming textured scales, while bold color adorn their fins and tails. Their heads converge at the center, creating a star-like design that represents unity and interconnectedness. Surrounding them, lush green leaf motifs radiate outward, symbolizing growth and nature’s nurturing qualities. The ornate leaf border, filled with red and blue, enhances the visual appeal, offering a rhythmic finish. Rich in cultural symbolism, this piece embodies themes of prosperity, unity, and the beauty of life, showcasing the timeless elegance of Madhubani art.

Size- 12*12 inches

Artist Profile: With three decades of artistic mastery, Ms. Priti Karn, hailing from the Madhubani region in Bihar, India, has adorned canvases with vibrant tales. Beyond Madhubani, she has ventured into Godhana Art, Paper Mache, and crafting natural pigments, spreading her creative fervor across India through captivating workshops. A torchbearer of her lineage, Priti imbibed the art from her Padma Shri awardee grandmother, Godawari Dutta. Her artistry, celebrated with a State award, has graced galleries nationwide, a testament to her evocative strokes.

Nota Bene: Certificate of Authenticity will be provided.

 

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MADHUBANI / MITHILA PAINTINGS (MADHUBANI ART):

The Unique Artistic Tradition of Madhubani Paintings originated in the ancient kingdom of Mithila, located in the regions of Bihar and Jharkhand, northeastern India, from approximately 800 BCE to 500 CE. This artistic style traces its origin to the great Indian epic, the Ramayana, which was likely first composed around the mid-seventh to sixth centuries BCE. According to the epic, King Janak of Mithila commissioned local artists to paint murals and decorations for the wedding of his divine daughter, Princess Sita, to Lord Rama. From then on, the people of Mithila created Kohbar Ghar (nuptial chamber) paintings to celebrate the joys of sexual pleasure and procreation in the newlyweds’ conjugal life.

Madhubani art has endured the test of time, thriving into the modern era through the exceptional talents of the region’s artists. Over time, it has become a symbol of women’s empowerment. The women artists of Mithila, with their divine depictions of gods and goddesses, have captured the hearts of art lovers and collectors worldwide.

Styles and Evolution:

Madhubani paintings feature various styles, including Katchni, Bharni, Godna (Tattoo), Tantric, Aripan, and Kohbar. Despite these stylistic differences, the art form maintains a visual uniformity with its focus on divinities, rituals, natural elements, and daily life. In today’s globalized world, Madhubani art continues to evolve as artists explore new themes, mediums, and techniques.

Traditional Medium:

The original medium used in Madhubani art included natural materials such as cow dung, rice paste, charcoal, and pigments derived from flowers, leaves, and other organic sources. Artists applied these colors using pen brushes and matchsticks. Modern additions include acrylic paints to ensure durability and permanence.

Philosophy of Madhubani Art:

The essence of Madhubani art lies in its philosophy of dualism—opposite or parallel lines running together to complete a harmonious whole. This principle reflects the holistic truth of oneness and the interconnectedness of the universe. The art captures the profound Indian philosophy of love, peace, and the eternal quest for universal truth.

Cultural and Historical Significance:

Traditionally, Madhubani paintings adorned freshly plastered mud walls. However, for commercial purposes, artists now use paper, cloth, and canvas. The themes often depict Hindu deities such as Krishna, Rama, Shiva, Durga, Lakshmi, Saraswati, the Sun, and the Moon. Court scenes, weddings, and social events are also popular subjects. Floral, animal, and bird motifs, along with intricate geometrical patterns, are used to fill empty spaces, ensuring no part of the canvas remains bare.

Global Recognition:

Madhubani art first gained attention outside India after the massive Bihar earthquake of 1934. When house walls collapsed, British colonial officer William G. Archer discovered paintings on the exposed interiors of homes. Comparing them to modern Western art by Klee, Miró, and Picasso, Archer’s photographs and writings introduced the world to this unique tradition. In the late 1960s, a severe drought prompted the All India Handicrafts Board to encourage women to transfer their wall paintings to paper as a livelihood. Four women artists soon gained national and international recognition, representing India at cultural fairs worldwide.

Modern Contributions:

The Ethnic Arts Foundation (EAF), founded in 1980 by American anthropologists, played a vital role in sustaining the Madhubani painting tradition. By offering fair prices and organizing exhibitions globally, the EAF created a thriving market for these artists. In 2003, the foundation established the Mithila Art Institute (MAI) to train a new generation of painters, bridging the gap between tradition and contemporary expression. Learn more about their efforts at www.ethnicartsfoundation.com.

Conclusion:
Madhubani art is more than just a painting tradition; it is a living testament to India’s rich cultural heritage. Its evolution from domestic rituals to global acclaim highlights the enduring power of art to connect communities and transcend boundaries. This timeless tradition continues to inspire, educate, and enchant, proving that true art knows no limits.

 

 

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